FilterFilter
Erica Synths
SYNTRX 2 + Free Decksaver
Introducing The SYNTRX II - a new dark horse for experimental sonic rides....
Korg
MODWAVE MK2 Digital Wavetable Synthesizer
Der Korg Modwave MK2 ist ein leistungsstarker digitaler Wavetable-Synthesizer...
Soma Laboratory
Lyra-8 Black Beast + Free Decksaver
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. “Organismic” means that LYRA uses some principles that lie in the base of living organ...
Dreadbox
Erebus Reissue
Erebus zeichnet sich durch die Erzeugung reichhaltiger harmonischer Klänge aus. Dies verdankt es seinem einzigartig klingenden Filter, den analogen Oszillatoren und dem Lo-Fi-Echo, die dem Klang zus�...
Soma Laboratory
The Pipe
THE PIPE ist ein sprach-/atem-/mundgesteuerter dynamischer FX-Prozessor und Synthesizer....
Sequential
Trigon 6 Module
”Dave Smith Instruments Sequential Prophet-6: essential!!” – Sweetwater...
Elektron
Analog Four MK2
”Integrating the Analog Four MKII with external gear and computers is easy thanks to dedicated audio outputs for each voice, two expression/CV inputs, and high bandwidth Overbridge. ” – Elektron...
Erica Synths
LXR-02
The LXR is a full-fledged digital drum machine with an integrated sequencer. Its sound engine provides 6 different instruments, each with over 30 parameters to tweak, producing sounds from classic ana...
Mayer EMI
MD900 Desktop Synthesizer
Entdecke den MD900 Desktop Synthesizer mit 16 Stereo-Stimmen, leistungsstarkem XVA Engine, Wavetable-Oszillatoren und umfassender Modulation für unendliche kreative Möglichkeiten....
Korg
MS-20 Mini
Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile pat...
ASM
Hydrasynth Desktop
The HYDRASYNTH Desktop / Rack has the same great sound engine as the Hydrasynth Keyboard. It shares the reputation as a sound designer’s dream synth and a performing musician’s ideal....

























