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Arturia
Astrolab 37
37-keys advanced stage Keyboard & Synthesizer based on flagship software collections and Phi/TAE® modeling...
Modal Electronics
Argon8
Der Modal Electronics Argon8 ist ein fortschrittlicher polyphoner Synthesizer mit einer vielseitigen Wavetable-Engine...
ASM
Hydrasynth Explorer
The ultimate in power and portability, combining the Hydrasynth sound engine with battery-powered operation and our new, mid-sized Polytouch® aftertouch keybed. The interface is designed with the utm...
Sequential
Take 5
The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever....
Elektron
Model:Samples
The Elektron Model:Samples is an affordable, compact, and lightweight six-track sample based groovebox, offering professional features in a small form factor....
Expressive E
Osmose
Next-gen standalone expressive synthesizer. Add emotion & movement to your music with a simple touch....
Elektron
Analog Four MK2
”Integrating the Analog Four MKII with external gear and computers is easy thanks to dedicated audio outputs for each voice, two expression/CV inputs, and high bandwidth Overbridge. ” – Elektron...
Arturia
Astrolab 88 + Free V Collection X (599€)
Das Arturia AstroLab 88 ist ein avant‑garde 88‑Tasten Stage‑Keyboard mit Hammer‑Action...
Sequential
Trigon 6 Module
”Dave Smith Instruments Sequential Prophet-6: essential!!” – Sweetwater...
Moog
Grandmother
The multicolored Moog Grandmother is a semi-modular analog synthesizer with a 32-note Fatar keyboard, an integrated sequencer/arpeggiator, a spring reverb, and 41 patch points compatible with the Moth...
Elektron
Octatrack MK2 Black
A stereo sampler, looper, arranger, mixing and effects hub, workstation, performance instrument: you name it. Its power scales and evolves with you during your musical journey....
IK Multimedia
UNO Synth PRO X
Entdecken Sie die Kraft des IK Multimedia UNO Synth Pro X. Dieser analoge Synthesizer bietet unvergleichliche Vielseitigkeit mit 3 Oszillatoren und umfangreichen Modulationsmöglichkeiten....

























